Stories of Hope
"Hope is the thing with feathers that perches in the soul, and sings the tune without words and never stops at all."
-Emily Dickinson
This blog is dedicated to recounting Stories of Hope in the contexts that I find them. The human spirit is so resilient in times of crisis, it should never cease to amaze us.
Thursday, September 23, 2010
Today I wish I was on assignment for This American Life
Tuesday, September 14, 2010
Knowledge that is not passed through the heart is dangerous
Monday, August 30, 2010
Haiti Snapshot #3 - A Love Song

"I cannot do all the things that the world needs,
Haiti - the Composite, or at least an attempt
From Haiti, With Love
I have been home from Haiti for just over a week now. In some ways it feels like a long time ago, but that is probably because it is such a different world from my normal day-to-day here in Portland. Last Friday I reflected that it was only a week ago that I was busily working in Haiti to complete the stories that the kids were working on.
But first, I wanted to extend my heart-felt thanks to you for supporting me on this trip financially, and with your prayers, good wishes and encouragement. It was a wonderful trip, and I really enjoyed the opportunity to be there working with the children. Our team of BuildaBridge artists put together an Art Camp for kids ages 10 – 14 in the city of Pont Sonde, a few hours north of Port au Prince. Another team of artists worked in an orphanage outside of Port au Prince creating a mural with the children there.
Even though the earthquake did not directly affect most of the children in our art camp, it is fair to say that the “after-shocks” of this disaster have permeated all of Haiti. Some children in our Art Camp had been sent away from Port au Prince by their families to live with their rural relatives. And in truth, life in Haiti has been hard for a really long time, so a project like this was a welcome diversion for the children we worked with.
I was fortunate to have a translator for the week, which helped to ensure the success of my class. I worked with a few young Haitians as well in my class, and this gave us an opportunity to work in collaboration with local Haitian teachers and artists, which was mutually beneficial. We were able to elevate the use of the arts – dance, music, poetry, storytelling and visual arts – to engage the children and to provide opportunities to reinforce lessons of Hope and creative, therapeutic play.
Haiti is a storytelling culture, so using stories and engaging the students into the art and form of stories was a natural fit. I was fortunate to find a book at Powell’s that had both English and Creole translations. It told the story of a little Haitian boy who experienced slavery, but demonstrated a strong, resilient spirit, and used a song to encourage and strengthen his spirit when he felt sad. This was a great way to reinforce aspects of Haitian culture and history and to highlight the parallels for the children between the ways that the boy in the story stayed strong through trials, and how they could do the same.
Each day we focused on different aspects of Hope. I tried to tell them a story that correlated with that each day, and I found Aesop’s fables to be particularly useful. These stories commonly use animals as the key characters, and I find those to be universally understood. One day I told them the story of the Mouse & the Lion – proverb being that “even small creatures can be important.” We then used a metaphor of trees to talk about life and how to be strong in the face of adversity. I encouraged the students to talk about the things in life that helped them to be strong and to not “fall over” when hard times came. Using these metaphors from the natural world made it easy to emphasize the teaching moments for Hope, the theme of our work there.
The following day, we discussed the importance of persistence in fulfilling goals, supported by the fable of the persistent and thirsty Crow that patiently dropped little pebbles into a pitcher of water until the water-level rose sufficiently for the crow to drink. Having a “future-orientation” is a vital aspect of Hope and trauma therapy. We talked about ourselves and our future goals, some of the children’s goals were to be an engineer, hairstylist, and motorcycle driver (from a 10 year old girl!). And then we talked about what things the kids needed to do now in order to achieve their future dreams. All in all, this was a fun experience, and one that I found the children to really engage in.
When I put the children into groups to create their own stories this ended up being more of a challenge. I realized that they are not accustomed to a lot of free-play and creative time in their education system. And most of the stories that were supposed to be “hopeful” tended to end with all of the characters dying. This is where I came to learn a lot about the role and function of storytelling in Haiti, and many Afro-centric cultures.
Put simply, life is hard. That is a given. People understand this, and don’t try to protect their children from that fact. After discussing my observation with my friend Joe, he pointed out that it really wasn’t until the Victorian Era that people felt the need to create these “happily ever after” schemes to protect their children from reality. Telling stories that are sort of tragicomedies teaches a helpful truth that bad things do happen, yet in front of that backdrop each story would have a teaching element – a lesson to be learned, or a situation to laugh at. Tales of foolish actions serve to teach kids what not to do without sounding punitive or harsh. Actually this is a prime example of the functional place of stories and their use in teaching cultural norms and mores.
When I asked one group if someone who was struggling or having a hard time would feel better after hearing one of these stories where “everybody dies”, they replied “YES! Because its funny!!” – in a way that implied “obviously!” After hearing their story again, I had to agree. It was funny, and there were important lessons to be learned.
Thank you for being invested in this trip, in Haiti, and in my well-being.
With gratitude,
Emily
Saturday, July 31, 2010
Haiti Snapshot #2 - Juxtapositons
Now read this...
As the plane began to prepare for its descent into Port au Prince I pressed my face up against the small plastic oval of a window and scanned for signs of the havoc that the notorious January earthquake had wreaked on this fragile city. From the air what was mostly visible was a landscape dotted with dwellings, lush flowering trees and snakey dirt roads. As the land drew closer, however, many of those dwellings revealed themselves to be acres of tents, and the piles of rubble were more apparent. Inside Baggage Claim, the scent of diesel fumes mixed with dust quickly reminds me that I am in another world.
Right outside of the airport is where many people in their tent-cities currently reside, and as we casually drove by I was astonished at the number. In truth, Port au Prince resembles more of a war-zone like Kosovo or Baghdad. Fallen walls have crushed cars. There are piles of rubble that line the street. Some buildings are standing, but jut out at odd 45-degree angles reminding you that things are not as they seem. The presidential palace, the symbol of hard-earned hope and freedom for the proud Haitians is now a concave behemoth, a symbolic testament to the enormity of the effect that the earthquake has had on this fragile country.
Yet, in front of this somber backdrop, vital signs of life juxtapose themselves with the tragedy that is seen everywhere. Joyful pops of color can be found on everything from the tap-taps and mini-busses, to the Digicel umbrellas, to the works of art that adorn a concrete wall, and the lively political graffiti on every blank meter of concrete, reminding you that the spirit is not broken.
People bustle about, avoiding the broken pieces of the road amidst the hum and honks of the traffic. Demonstrators celebrate the birthday of deposed President Aristide in front of the presidential palace, which is kitty-corner to the completely toppled
Holy Trinity Anglican church. Everyone largely agrees that these demonstrators must have been paid to do this. Uniformed school children walk home in groups, making up for school time lost in January and February.
In a rented van, our group begins our ascent into the mountains above Port au Prince, Petion-ville, where the shocks were also felt. The lush canopy of banana trees, palm trees, and other vegetation masks the demolition that has happened here, too. Many churches and homes built into the hillside couldn’t withstand the tremors and tumbled down. Many people are making-do in donated tents, but the rainy season that is now upon us threatens this existence as well.
In Petion-ville, our hosts inform us that the view of the valley below was where hundreds of sugar-cane plantations once were. They show us the heavily rusted iron neck chain that was found in the garden, and most assuredly was worn long-ago by a slave who escaped to these very hills.
That evening, our hosts, some Americans whose hearts have turned Haitian and a few their local friends generously share with us the gift of hospitality and song: their belief in Haiti and their hope for its future.
Friday, July 30, 2010
Haiti Snapshot #1- Phillipe
Of the 3 boys and 7 girls in my class not one of them missed a day of attendance all week. The youngest boy was seven or eight, and the older children were 13 or 14. Phillipe was about 12 years old with a serious demeanor. His eyes took everything in as he, no doubt, was working to evaluate what was going on and what to make of this American lady. He showed up early every day in clean clothes, but he was not overly playful.
He responded well to the initial art activity in which they were instructed to draw a tree. There were not many parameters put around the tree drawings except that each tree should fill up the paper and should have roots. I could immediately tell that this boy was naturally artistic and really warmed to this task. He drew elaborate leaves and outlined the trunk of the tree in a creative an colorful way. Yet, he was uncomfortable making eye contact with me most of the time.
As the days went by I could tell that the children enjoyed the story-telling activities that I led them in. When I gave them the task of writing their own stories things became a little more difficult for them. We had to go back to the concepts of “beginning, middle and end” more than once and made a lot of efforts to refine story ideas into some sense of coherence without the fatalistic ending “and then everybody died” that seemed so common to these stories. Did the children not know of another way to end the stories?
Phillipe’s group of boys worked on their story with the help of my Haitian teaching assistant for several days. What they finally came up with was a story with the lesson that “everyone is equal,” which recounted the volleyed taunting of a dog and a cat until another creature came by and remarked upon the beauty of each creature. I was pleased with that, and it was quite apparent that these boys were very pleased with themselves. Phillipe had worked to draw a beautiful road-side scene for the background of their story and the boys had created puppets with brown paper lunch-sacks to act as dogs and cats for the story.
I noticed that he had warmed up to me quite a bit and actually seemed to be having more fun with the tasks that were given. On the final day we had our Celebration with all of the Art Camp classes together. I was so proud of my class as they repeated a poem about having the strength of trees for their parents and friends, and shared one of the group’s stories. As I sat down on the bench, with the children from my class squeezed up against me, I told them in Creole that I was very happy. At this point, Phillipe leaned forward and with a sweet smile that lit up his whole face he told me, in Creole, “me too.”
Wednesday, July 14, 2010
Only a few hours left
Challenge #1 in Flexibility was just what to do with the GIGANTIC 42" high cot that was sent to me with instruction to bring it to Haiti. I didn't have a bag big enough to put that in it, so I was reduced to leaving that as an entire checked item and then shoving everything else into the duffle bag and backpacking backpack that will serve as my carry-on. But I think I made it work.
Any effort at cuteness has definitely gone by the wayside as I have packed my bag to the top with crayons, markers, glue, paper, yarn, and fabric. I think I only packed 3 shirts and one pair of shorts, and a couple pair of pants... but that is all just fine.
This morning as I sit here and savor the last few hours of "certainty" before I leave I am taking refuge in the fact that I am not going alone, and that I have a big heart with a lot of love to share, and God is with me.
For now I will enjoy my last normal shower for a few weeks and my last cup of Stumptown coffee...